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Charles Dickens was a loyal champion of all boys, and underlying his pen pictures of them was an earnest desire to remedy evils which he had found existing in London and its suburbs. Poor Jo, who was always being "moved on," David Copperfield, whose early life was a picture of Dickens' own childhood, workhouse-reared Oliver, and the miserable wretches at Dotheboy Hall were no mere creations of an author's vivid imagination. They were descriptions of living boys, the victims of tyranny and oppression which Dickens felt he must in some way alleviate. And so he wrote his novels with the histories in them which affected the London public far more deeply, of course, than they affect us, and awakened a storm of indignation and protest.
Schools, work-houses, and other public institutions were subjected to a rigorous examination, and in consequence several were closed, while all were greatly improved. Thus, in his sketches of boy-life, Dickens accomplished his object.
My aim is to bring these sketches, with all their beauty and pathos, to the notice of the young people of to-day. If through this volume any boy or girl should be aroused to a keener interest in the great writer, and should learn to love him and his work, my labour will be richly repaid.
Attribution(100, smallcapstext("Kate Dickinson Sweetser"))?> DisplayImage("intro", "front4", "