In one of the numbers of the ballet, Mars and Venus stood at the wings awaiting their cue and watching the graceful dancing of a nimble dryad who, beset by a cruel satyr, changed speedily into the tuneful Apollo, vanquished the surprised satyr, and then sang to the accompaniment of his own lute the high-sounding praises of the great and glorious "King Louis Quatorze."

And Mars said to Venus: "Our noble brother Immortal sings divinely; does he not, Olympia?—or thinks he does," he added, in a whisper.

"Hush, Count Armand," Venus replied, holding up a warning finger. "Your last words are barely short of treason."

"Is it treason to tell the truth, fair Olympia?" asked the boy courtier. "Sure, you hear little enough of it from royal lips."

Olympia tossed her pretty head disdainfully. "And how can you know, Sir Count, that his Majesty does not mean truthfully all the pretty things he says to me? Ay, sir, and perhaps—"

"Well! perhaps what, Mam'selle?" Count Armand asked, as the imperious little lady hesitated in her speech.

"Perhaps—well—who knows? Perhaps, some day, Count Armand, you may rue on bended knee the sharp things you are now so fond of saying to me—to me, who may then be—Olympia, Queen of France!"

Armand laughed softly. "Ho, stands my lady there?" he said. "I kiss your Majesty's hand, and sue for and he bent in mock reverence above the beautiful hand which the young king admired, and the courtiers, therefore, dutifully raved over. "But—" he added, slowly.

"But what, Count?" Olympia exclaimed, hastily withdrawing her hand.

"Why, his Majesty says just as many and as pretty things, believe me, to all the fair young demoiselles of his court."

"Ay, but he means  them with me," the girl protested. "Why, Count, who can stand before me in the king's eyes? Can the little square-nozed Montmorency, or the straw-colored Marie de Villeroi? Can—ah, Count, is it, think you, that very proper little girl sitting there so demurely by her mamma in the fauteuil  yonder—is it she that may be foremost in the king's thoughts?"

"What, the Princess Henrietta of England?" exclaimed the count. "Ah, no, Olympia; trust me, le Dieu-donné  looks higher than the poverty-stricken daughter of a headless king and a crownless queen. There is nought to fear from her. But, come, there is our cue," and, with a gay song upon their gossipy lips, Mars and Venus danced in upon the stage, while a terrible Fury circled around them in a mad whirl. And amid the applause of the spectators the three bowed low in acknowledgment, but the Fury received by far the largest share of the bravas—f or you must know that the nimble dryad, the tuneful Apollo, and the madly whirling Fury were alike his gracious Majesty, Louis, King of France, who was passionately fond of amateur theatricals, sometimes appearing in four or five different characters in a single ballet.

That very evening the most select of the court circle thronged the spacious apartments of the queen-mother in attendance at the ball given to the widowed queen of England, who, since the execution of her unfortunate husband, Charles the First, had found shelter at the court of her cousin Louis. And with her came her daughter, the little Princess Henrietta, a fair and timid child of eleven.

The violins sounded the call to places in the bransle, the favorite dance of the gay court, and Count Armand noted the smile of triumph which Mam'selle Olympia turned toward him, as King Louis solicited her hand for the dance. And yet she paused before accepting this invitation, for she knew that the honor of opening the dance with the king belonged to the little Henrietta, the guest of the evening. She was still halting between desire and decorum, when Anne, the queen-mother, rising in evident surprise at this uncivil action of her son, stepped down from her seat and quietly withdrew the young girl's hand from that of the king.

"My Louis," she said, in a low voice, "this is but scant courtesy to your cousin and guest, the Princess of England."

The boy's face flushed indignantly at this interference with his wishes, and looking towards the timid Henrietta, he said, with singular rudeness: "'T is not my wish, madame, to dance with the Princess. I am not fond of little girls."

His mother looked at him in quick displeasure. And the Queen of England, who had also heard the ungallant reply, keenly felt her position of dependence on so ungracious a relative, as she hastened to say: "Pardon, dear cousin, but do not, I beg, constrain his Majesty to dance contrary to his wishes. The Princess Henrietta's ankle is somewhat sprained and she can dance but ill."

The imperious nature of Anne of Austria yielded neither to the wishes of a sulky boy nor to the plea of a sprained ankle. "Nay, your Majesty," she said, "I pray you let my desire rule. For, by my word, if the fair Princess of England must remain a simple looker-on at, this, my ball, to-night, then, too, shall the King of France."

With a face still full of anger Louis turned away, and when the music again played the opening measures, a weeping little princess and a sulky young king danced in the place of honor. For the poor Henrietta had also overheard the rude words of her mighty cousin of France.

As, after the ball, the king and his mother parted for the night, Anne said to her son: "My dear Louis, what evil spirit of discourtesy led you to so ungallant an action towards your guest, this night? Never again, I beg, let me have need openly to correct so grave a fault."

"Madame," said Louis, turning hotly towards his mother, "who is the lord of France—Louis the King or Anne of Austria?"

The queen started in wonder and indignation at this outburst; but the boy's proud spirit was up, and he continued, despite her protests.

"Too long," he said, "have I been guided by your leading-strings. Henceforth I will be my own master, and do not you, madame, trouble yourself to criticise or correct me. I am the king."

And thus the mother who had sacrificed and suffered so much for the son she idolized found herself overruled by the haughty and arrogant nature she had, herself, done so much to foster. For, from that tearful evening of the queen's ball to the day of his death, sixty-one years after, Louis of Bourbon, called the Great, ruled as absolute lord over his kingdom of France, and the boy who could say so defiantly "Henceforth I will be my own master," was fully equal to that other famous declaration of arrogant authority made, years after, in the full tide of his power, "I  am the state!"

On the afternoon of an April day in the year 1654 a brilliant company gathered within the old chateau of Vincennes for the royal hunt which was to take place on the morrow. In the great hall all was mirth and fun, as around the room raced king and courtiers in a royal game of "clignemusette"—"Hoodman Blind," or "Blindman's Buff," as we now know it. Suddenly the blindfolded king felt his arm seized, and the young Count of Guiche, who had just entered, whispered: "Sire, here is word from Fouquet that the parliament have moved to reconsider the registry of your decree."

The boy king tore the bandage from his eyes. "How dare they," he said; "how dare they question my demands!"

Now it seems that this decree looked to the raising of money for the pleasures of the king by M. Fouquet, the royal Minister of Finance, and so anxious had Louis been to secure it that he had attended the parliament himself to see that his decree received prompt registry. How dared they then think twice as to the king's wishes?

"Ride you to Paris straight, De Guiche," he said, "and, in the king's name, order that parliament reassemble to-morrow. I will attend their session, and then let them reconsider my decree if they dare!"

Olympia Mancini heard the command of the king. "To-morrow? Oh, sire!" she said; "to-morrow is the royal hunt. How can we spare your Majesty? How can we give up our sport?"

"Have no fear, mam'selle," said the king, "I will meet my parliament to-morrow, but this trivial business shall not mar our royal hunt. Together will we ride down the stag."

At nine o'clock the next morning parliament re-assembled, as ordered by the king, and the representatives of the people were thunderstruck to see the king enter the great hall of the palace in full hunting costume of scarlet coat, high boots, and plumed gray beaver. Behind him came a long train of nobles in hunting suits also. Whip in hand and hat on head, this self-willed boy of sixteen faced his wondering parliament, and said:

"Messieurs: It has been told me that it is the intention of some members of your body to oppose the registration of my edicts as ordered yesterday. Know now that it is my desire and my will that in future all my edicts shall be registered at once and not discussed. Look you to this; for, should you at any time go contrary to my wish, by my faith, I will come here and enforce obedience!"

Before this bold assertion of mastership the great parliament of Paris bent in passive submission. The money was forthcoming, and in less than an hour the boy king and his nobles were galloping back to Vincennes, and the royal hunt soon swept through the royal forest.

Thus, we see, nothing was permitted to stay the tide of pleasure. Even the battle-field and the siege were turned into spectacles, and, by day and night, the gay court rang with mirth and folly.

In the great space between the Louvre and the Tuileries, since known as the Place de Carrousel, the summer sky of 1654 arched over a gorgeous pageant. Lists and galleries in the fashion of the tournaments of old, fluttering streamers, gleaming decorations, and rich hangings framed a picture that seemed to revive the chivalry of by-gone days. Midway down the lists, in the ladies' gallery, a richly canopied fauteuil  or arm-chair, draped in crimson and gold, held the "queen of beauty," the fair-faced Olympia Mancini—the imperious young lady "whom the king delighted to honor." The trumpets of the heralds sounded, and into the lists, with pages and attendants, gallant in liveries of every hue, rode the gay young nobles of the court, gleaming in brilliant costume and device, like knights of old, ready to join in the games of the mock tournament. But the centre of every game, the victor in all the feats of skill and strength, was the boy king, Louis of Bourbon, as in a picturesque suit of scarlet and gold he rode his splendid charger like a statue. And as the spectators noted the white and scarlet scarf that fell from the kingly shoulder in a great band, and the scarlet hat with snow-white plume, they saw, by looking at the fair young "queen of beauty," Olympia Mancini, in her drapery of scarlet damask and white, that King Louis wore her colors, and thus announced himself as her champion in the lists.

And Count Armand could see by the look of triumph and satisfaction in Olympia's pretty face, as she ruled queen of the revels, that already she felt herself not far from the pinnacle of her ambition, and saw herself in the now not distant future as Olympia, Queen of France!

But alas for girlish fancies! Louis, the king, was as fickle in his affections as he was unyielding in his master-ship.

"Sire," said the Count de Guiche, as the next day a gay throng rode from the mock tournament to another great hunt in the forest of Vincennes, "why does not the fair Olympia ride with the hunt to-day?"

"Ah, the saucy Mazarinette," the king said, surlily, using the popular nickname given to the nieces of his minister, "she played me a pretty trick last night, and I will have none of her, I say "; and then he told the condoling count, who, however, was in the secret, how at the great ball after the tournament, the maiden, whose colors he had worn, had exchanged suits with his brother, the little "Monsieur," and so cleverly was the masquerading done, that he, the great King Louis, was surprised by the laughing Olympia, making sweet speeches to his own brother, thinking that he was talking to the mischievous maiden.

"My faith, sire," said the laughing count, "Monsieur makes a fair dame when he thus masquerades. Did he not well bear off the character of the Mancini?"

"Pah, all too well, the ugly little garcon," ruefully replied the king. "But I gave him such a cuff for his game on me as he shall not soon forget. And as for her—"

"Well," said the young count, "what did you, sire, to the fair Olympia?"

"Fair, say you?" said the king, wrathfully; "she is aught but fair, say I, Armand—a black face and a black soul! What think you? She strutted forth with all the airs of the great Bayard or—of myself, and clapping hand to sword, she rescued Monsieur from my clutch, saying: 'I am a chevalier of France, and brook no ill-usage of so fair a dame!'"

This was too much even for the young courtier, and he burst out a-laughing. But the king was sulky. For Louis of Bourbon, like many a less-titled lad, could enjoy any joke save one played upon himself, and the mischievous Olympia lived to regret her joking of a king. Once at odds with her, the king's fancies flew from one fair damsel to another, finally culminating when, in 1660, he married, for state reasons only, in the splendid palace on the Isle of Pheasants, reared specially for the occasion. the young Princess Maria Theresa, Infanta of Spain, and daughter of his uncle, King Philip the Fourth.

From here the boy merges into the man, and we must leave him. Strong of purpose, clear-headed and masterful, Louis the Fourteenth ruled as King of France for seventy-two years—the most powerful monarch in Christendom. Handsome in person, majestic in bearing, dignified, lavish, and proud; ruling France in one of the most splendid periods of its history—a period styled "the Augustan age" of France; flattered, feared, and absolutely obeyed, one would think, boys and girls, that so powerful a monarch must have been a happy man. But he was not. He lived to see children and grandchildren die around him, to see the armies of France, which he had thought invincible, yield again and again to the superior generalship of Marlborough and Prince Eugene, and to regret with deep remorse the follies and extravagance of his early days. "My child," he said, in his last hours, to his great-grandson and heir, the little five-year-old Louis, "you are about to become a great king; do not imitate me either in my taste for building, or in my love of war. Endeavor, on the contrary, to live in peace with the neighboring nations; render to God all that you owe him, and cause his name to be honored by your subjects. Strive to relieve the burdens of your people, as I, alas! have failed to do."

It is for us to remember that kings and conquerors are often unable to achieve the grandest success of life,—the ruling of themselves,—and that flattery and fear are not the true indications of greatness or of glory. No sadder instance of this in all history is to be found than in the life-story of this cold-hearted, successful, loveless, imperious, all-supreme, and yet friendless old man—one of the world's most powerful monarchs, Louis of Bourbon, Louis "the Great," Louis "the God-given," Louis the Grande Monarque, Louis the worn-out, unloving and unloved old man of magnificent Versailles.